Every step of the way, whether novice or seasoned author, whether this is a hobby or career, we all have those roadblocks that drag their concrete asses over and plop themselves right in front of our creative highway.
The ones I had in the beginning are far different than the ones I have now.
You might see a bit of you in what’s to come…
You might be sitting in the center of what I’m about to describe…
You’re a new writer. You’ve been an avid reader for years. Essentially, through the process of devouring books, deep in that voracious brain of yours, you already know everything you need to in order to write your own book. No, it won’t be pretty. It will need heavy editing. But the pieces are essentially there in your mind just waiting for you to use them if you wish.
So, one day you sit down at the computer. You start paying attention to your favorites, what they do, what they talk about, events they travel to. You start to piece together the nuts and bolts of an author’s life beyond the final product that hits your kindle on release day. You see they’re going to RWA Nationals, or other small conferences. You see them talking about filling up their creative well.
So you start joining writer groups. You take some online classes. You one click thirty million books about saving cats, hooks, and writer tool kits.
You are pummeled by information about the “right way” to write.
The writer word starts screaming at you, sometime their advice solicited…often their advice unsolicited…
Other writer 1: “You have to outline.”
Other writer 2: “If you pants it you’ll never finish.”
Other writer 3: “First kiss by the 25% mark, sex by the 50% mark, black moment/climax at 75%.”
Other writer 4: “This trope is overdone.”
Other writer 4 (That chatty shit): “That trope is overdone, too.”
Other writer 6: “Write to market.”
Other writer 2 (Yeah, that asshole is back): “Incorporate high concept.”
You: Wait, what? What the hell is high concept?
Other writer 7: “Write what you know.”
Other writer 7 again after you show him/her your idea: “Wait—not that. Write something else you know.”
Other writer 3 again (The one writing formula romance only): “Oh, that’s not allowed.”
Other writer 8: “Don’t make it too gritty.”
Other writer 8 again driving his/her point home: “That’s not safe.”
Other writer 9 who is in the same writing group as other writer 8 and often wants to smack that uppity ass upside her bland head: “Don’t make it too sterile.”
Other writer 10 (This one is likely traditionally published and will offer to read your first 50 pages for you): “Don’t make your conflict a simple misunderstanding solved by a conversation.”
Blah, blah, blah, freaking blah.
See that utter bullshit up there? That’s what a beginner writer’s problem is.
Right. Freaking. There.
You’ve decided to write a book. Your family is patting you on the head and saying, “Oh, hey, that’s great” and rolling their eyes the minute you’re not looking. Classes are introducing aspects of writing you’ve never thought about. You’ve always loved the sausage, you understand it’s not just pork, but this is the first time you’re seeing the recipe to make the sausage. You are seeking information and getting bombarded with a bunch of unsolicited advice. You’ve convinced yourself that what you write has to be perfect before anyone can see it.
And you’re letting a writing world, one with old school veterans and breakout indies tell you there is a certain way to do it that’s the only right way.
I’m here to tell you, that’s utter bullshit.
When I started, conflict was a big deal. Conflict had to be strong. Now that our real life climate has become so divisive, romance is changing and becoming conflict light. As for that conflict that other writers might dismiss as not strong enough since it can be cleared up by a simple conversation…you have to ask yourself why the characters don’t have that conversation. If your characters are closed off, avoid confrontation, or maybe are young enough that they aren’t that forward yet, it’s understandable that the conversation would not unfold. A young adult is going to be less likely to lay it all on the line than an experience adult who has a serious relationship or two in their history.
Rules change all the time. They evolve. Traditional publishing is careful about what they publish. They take less risks. Indies are all risk. They don’t conform. They are the divergents of the writer world.
As a new writer, you’re worrying about being perfect, about following formula while finding your voice…about being accepted. Not just by readers, but by fellow writers. That’s the pressure that sits on the chest of a new writer.
Once you shed those confines, make connections, build confidence, you start to shed those roadblocks.
Which opens up room for roadblocks of a whole different variety…but more about that another day!
Write fearlessly. Right now that story belongs to you. Make it larger than life. Write something that makes you laugh, get mad, and cry. Even better, write something that makes you do all three at once.
Worry about the rest later.