Jen is my current critique partner.
That sounds like I plan on replacing her, doesn’t it?
So why do I call her my “current” critique partner?
Because nothing lasts forever if you don’t take care of it and when I call her my current critique partner, it serves as a constant reminder to take care of what I have because I could lose it if I don’t.
Critique relationships start out like dating…
You come at each other at first showing the other person your absolute best. You’re still feeling them out to learn how they’ll react to you, to life, to the world around you. When you’re getting ready to go out you scrutinize your hair, makeup, and clothing. Everything has to be in place and perfect.
Then you start to show them bits and pieces of what they’re really in for…
It’s the fourth or fifth date, and you answer the door in yoga pants and your threadbare Rolling Stones T-shirt with the bleach mark on the front because you haven’t put on your date clothes yet, but your hair and makeup…they’re spot on.
Then you get comfortable…
A few months in, they’ve spent the night and they’ve seen your bed head and smelled your morning breath. You’ve stopped humming in the bathroom so they can’t hear you pee. The fear of having to poop while they’re around doesn’t make you so nervous that your stomach cramps and then you end up in the bathroom, the very place you didn’t want to be, praying the bathroom fan is loud enough to disguise your body’s revolt.
You’re critique relationship grows and changes just like any relationship. You start to recognize patterns and bad habits. Sometimes even the patterns in their bad habits. And you start to understand why, despite repeatedly mentioning those habits, they continue to do them. This is when you’ve reached the point of understanding your critique partner’s voice in draft mode. You recognize how they work. And it gives you a glimpse into a few of the things you’ll forever need to look for.
It’s also a warning sign for what you need to make sure you don’t start to glaze over and miss.
The most common issue I see in Jen’s writing is the sections that make me say, “So what?”
She quite literally has given me nothing about her character (usually the heroine) to care about. She’s put her on the page, but she hasn’t given her much for emotion and instead has propelled into the action. I’ve noticed when this happens she usually makes a lot of other minor mistakes with telling and passive voice, and mistakes with homonyms. These areas are also usually heavy in dialogue and often after a few sentences, I have to wonder what her characters are doing, their expressions, and how they’re moving in relation to each other. I basically get a whole lot of talking heads…and as a reader, I feel cheated.
In Jen’s case, I suspect this has a lot to do with the story moving so fast in her head, she’s trying to race to get it all down. We’ve all been there. No matter how fast we type, it’s two against one in there with our hero and heroine battling it out at a rapid pace while we’re trying to build the picture for the reader before parts of it disappear.
When I start to see these patterns, it’s because I’ve learned her voice in draft mode, I know I’ll always have to look for these sections.
Nope, the problem with a habit like this is it’s easy to gloss over them as her crit partner because I get used to seeing them. Think about your own writing. We all have missing words or maybe the wrong verb tense and what happens when we read it back?
Our brain fixes it before we even realize it’s there and we miss it again.
Bad habits can become ingrained just as good habits can.
Think about that relationship I spoke about above…think about when relationships slip into comfort mode.
It’s a risk a critique partner runs when they get used to another writer’s work. I’ve almost fallen into the pattern myself of glossing over those parts of her draft, assuming that after all this time she would go back and layer in details to give them more depth. The minute I let myself slide, I become an ineffective critique partner.
And that’s why it’s especially important to have that list of things to look for, habits that occur in draft mode specific to your critique partner so you won’t become complacent when reading their work.
- Make sure that although you’ve seen your critique partner at her worst and she’s breathed that morning dragon breath on you that you continue to be careful to pick apart her work so she’s always presenting her first-date-self to the reader world.
- Learn her voice in draft mode and make note of the reoccurring mistakes that won’t go away so you don’t become complacent and start missing them, too.
- Make sure you reevaluate your critique relationship, just like you would a marriage, and make sure it’s working for both sides. Modify where you need to. Be honest in those discussions.
Check in Monday where Jen is going to tell you a little bit about my bad habits in draft mode!