Let’s get two things out of the way:
WRITING IS CRAZY.
NEVER SAY NEVER.
We writers are a special breed. It’s not really all that normal to spend all our time with people who don’t exist. So, deciding to be a writer is its own brand of crazy. Writing an over arcing series is just plain insanity.
I once swore I would NEVER write a werewolf. EVER. While I enjoy paranormal, thinking about that kind of world-building gave me a headache. I remember watching Trueblood and was like, LOVE it, but yeah, I don’t want to go there. When we found out Sookie was a Fairy, I was like, WHAT? Yeah, ever writing about them either.
Then I was asked to write in Milly Tadien’s worlds. Both in Paranormal Dating Agency and Sassy Ever After. Not only am I writing about werewolves and fairies, but I created an entirely new created called a Wolfairy!
When I first started in the Paranormal Dating Agency, I had no idea that my planned 4 book series would turn into an over arcing storyline that spans all 4 books. You see, I’m a huge fan of series. I love taking a secondary character and giving them their own story. The majority of my books are set up that way. A series of books about cops. A series of books about sisters. About brothers. About firefighters. But they don’t have to be read in order. Each book is a separate storyline and isn’t dependent on anything from the book before it, or after it. So, when I sat down to plot out the first book in my planned series, imagine my surprise when I realized while each book has a problem to solve, and a new budding romance, the Wolfaires won’t be safe until the end of the very last book.
I realized this was going to happen the second I had my hero claim his mate. Why? Because he did so a little begrudgingly. He’d heard about this the Legend of the Wolf and the Princess, but he never expected that he’d be THE wolf. And our heroine didn’t even know she was a paranormal creature until after she’d been claimed.
The hard part is remembering all the rules in this new world I created. It’s also challenging to remember all the important details. I keep a hand written legal pad for the series where I write down all the key players, elements, and what was resolved and what’s still unanswered. But sometimes it feels like it’s a moving puzzle and I’m missing half the pieces! I’m also slowly revealing details about the Royal Fairies and King Lear during each book. With each new pairing, something new is discovered.
I’m finishing up the last book right now and while it took me a while to reconnect myself with not just the characters, but all the details about the world and how it’s changed, all making sure that EVERY SINGLE thread is closed before the end of this book.
It’s been an overwhelming process, and this isn’t the only series I’ve done this with, but I question if I want to do it again. However, when I look back on this series, I’m in awe of what I created. I never thought my mind would work that way…
Proving, I’m totally bonkers!
Or totally brilliant. You choose!
I’ve always loved reading books where the hero or heroine has a pet. Robert Dugani’s Tracy Crosswhite series where a secondary character (and love interest) is a pair of dogs and I just loved them. They really added to the story as well helped developed the hero’s personality. I loved it so much that I decided I needed a book with pet.
Anyone who has ever owned a pet knows they have their own distinct personality. I’ve owned three dogs and they were each very different. One was just crazy. Every time you let her out of the house, she ran around the house ten times like wild animal. She’d stop to pee and poop, then do it again. It was like she was chasing her tail…around the house. Tucker was just a spaz. Shasta was kind of like Tucker because Shasta was pretty high strung. Hyper. Even as a grown ass dog, she was like a big puppy. But she listened. Tucker never listened. And there was our nervous nilly Casey. Smart dog, but afraid of her own shadow. But her fear didn’t come out in cowering away, no, she barked and growled and made for a great watch dog. She was pretty mellow and often got annoyed by Shasta’s need to play all the time.
The first time I used a pet as a character was in TO PROTECT HIS OWN. My hero has a horse named Boots. Only my hero, Jake, left the farm ten years ago, and left his beloved horse behind.
Boots didn’t take that too well and became a moody horse. The heroine was left to tend to the Boots, who often acted like a child, pouting, or acting out, or being stubborn. Surprisingly, I received a lot of emails from fans who LOVED Boots. I got more feedback on that horse than I did anything else regarding the book.
But Boots never had a point-of-view. I showed his personality through his actions when around people, which was fun to write. So when one of my best friends, Laura Benedict, recommended me to join the wonderful world of the great cat detective, Trouble.
Besides the Trouble series being a cozy mystery (something I’ve never written before), Trouble has to participate in solving the mystery. He has his own Point-of-View. I thought that would make it easier to write him. I thought the only challenge would be make sure his voice matched all the other books in the series. Ha! Wrong!
It took a few tries of writing Trouble to get his voice right. He’s a black cat who watches a lot of Sherlock Holmes. Trouble is a tad pretentious, a bit full of himself, and he sort thinks he’s British…AND he truly believes he’s pretty much the best detective around. That part was easy. I too watched a lot of Sherlock Holmes. I had no problem dropping myself into that character. I got his voice down quickly. What became a struggle was his actions. I mean, I had to show him in the bushes, basking in the sun, or slinking around looking for clues. It was the cat action I had trouble with. I think it was because I don’t have a cat. My only real experience with cats was when I was a teenager and my dad had three cats. I’ve had a few friends with cats, but they weren’t my pet of choice.
Now, you ask how is this different from writing a horse (I’ve never owned a horse) and writing a cat? The difference was mixing the voice with the actions. Boots didn’t have a voice. He wasn’t talking to the audience. While he occasionally reacted to situations to help clue in my heroine or hero on approaching danger, he wasn’t doing things to solve the mystery. He was just reacting to snakes on the side of the barn! Any horse would freak out.
As a writer, I believe it’s important to stretch our skills. Stepping out of our comfort zone can only make us better writers. I often do writing prompts that are so far from my writing style or genre. Doing this has made me a better writer. It makes us focusing on learning new things. It helps us keep things fresh, new, and exciting. It’s easy to get into ruts.
I strongly suggest every writer try writing a different genre. Not necessarily for publication. Not even writing anything more than a couple of pages. But take some time and write different. Take a writing prompt and instead of going in the direction you normally would, take it to the complete opposite. Try it. It’s a lot of fun. I dare you!
Sometimes, when I look back over my life, I think I got more done when I was running around with my head cut off like a chicken managing 3 kids in travel hockey, 2 on the golf team, 1 doing dance competition while working two part-time jobs and volunteering for the local hockey association and the PTA.
I am woman hear me roar!
That seems like a life time ago. Back then, I’d sneak in 500 words between putting kids on the bus 3 different schools, each bus coming about an hour after the other) before doing dishes, morning chores, and heading off to one of my part-time jobs. I’d then sneak in as many words as I could sitting, usually from 4pm – 10pm at the hockey rink. My kids at sandwiches, cheese, yogurt, fruit, and cucumbers that I packed most nights so they didn’t eat chicken fingers and french fries every night (though there were some of those nights). I stayed up late cleaning and doing laundry, then started the cycle all over again. Weekends were just as bad as my family split up because one kid had games in Canada, the other in Boston, and the other in Buffalo. Yeah, see how that works. But I’d sneak in my words sitting at rinks before the game started and sitting in hotel rooms.
Back then I was considered a fast writer.
Not sure I felt like I was, but I was an effective writer.
I still am. Only I get to write a lot more and it’s often uninterrupted writing (unless one of the 3 kids has returned for a visit). Even when our middle boy moved back home for a year, I wasn’t running the rat race. Oh. I’m still busy. Just doing other things.
So, what is my day like now?
It’s different every day. But what has remained the same, is I have a calendar, with deadlines, goals, and appointments. I spend Sunday planning out my week. That includes finding out if the man is going to be home and if he’s going to need to be fed. It includes planning time for my walks, bike rides, grocery store trips, and anything else that might need to be done that week (also based on weather). At the end of every day, I carry over what wasn’t done the day before, and rearrange my schedule as necessary.
When I was busy being a hockey mom, I kept my sanity by having a color coded calendar. Now that I’m in a different phase of my life, I keep busy by having a color coded calendar. Ha!
Honestly, one of the reasons why I think it’s good to do a day in the life…in your life…is to see where you’re not using your time effectively and efficiently. I do laundry while watching my shows. That way I’m folding while I catch up. If I have to go out for an appointment, I get everything else that needs doing outside of the house on that day. When I make my grocery list, I make it in the order in which the items are shelved. I hate it when my grocery store changes the isles up!
It’s not really about multitasking, as it is planning.
Hi. I’m a planner. I like organization, structure, and please don’t change my well laid plans with a snap of your finger. That really stresses me out. Seriously. If my calendar says that I’m going to Costco on Wednesday, and something happens, I’m like, shit. That fucks up my whole day! Not really, but then I have to regroup. And I can, but it takes me a minute or two.
It’s worse when something like my printer isn’t working and I spend all day figuring that out and at the end of the day, I feel like I lost a day. Or when I’m sick. That sucks.
But my point is, as a planner, I can see what I’m actually getting done, and how my day really works. My mind is always playing tricks on me, like telling my body I’m still 25 and can do a cartwheel. Yeah. Not really a good idea.
Understanding self is one of the major keys to success. But if you don’t spend at least a full week writing down everything you do as you do it, you won’t really see where you’re either spinning your wheels, or where if you just things up a little bit, you’d have more energy. After that, I think its important to re-evaluate every so often. To me, this is like looking at a map before you get in a car and taking a long trip.
Or writing some kind of outline, synopsis, and/or character sheet, for your book. You pantsers are cringing right now, but you have your own ways of keeping track of story…and keeping your day on track. That’s what this is all about. Setting goals, and setting yourself up for success.
Go for a walk. Clean the kitchen floor. Scrub the toilet. Paint. Anything that gets your body moving and exercises your brain a different way.
I’m not kidding. Doing something tactile will unclog your brain. It will give you a chance to breath and think while not staring at your computer.
When we’re new writers we start out all excited and we love our work and think it’s the best thing ever written. Then we go to a writer’s group, or RWA meeting, and we learn all sorts of things about writing. We hear terms like GMC (goal, motivation, conflict). Passive versus active voice. Point of View. Word counts for different publishers and their lines. Do’s and don’ts when querying editors and agents.
The more I learned about writing, the harder it got. It’s like the old saying, it gets worse before it gets better. My brain filled with so much information, and often conflicting, that I could barely write. I literally had to take a step back. I had lost what excited me to write in the first place.
I liken it to the kid who loves hockey, until he has to practice every day and it becomes work.
I felt as though I was being bombarded by rules that were tying my hands. I really had to learn to consider the source and understand that their opinion comes from their experiences and who they write for, ie: a big publisher, a small niche publisher, indie, or any other publishing option.
I think the number one thing a writer needs to do is figure out what their goal is. What is it that you want from your writing? One thing I’ve always wanted was to hit a list and last week that happened. I hit the USA Today Bestseller list in a Christmas anthology. Woot Woot! But guess what. I had to do certain things to get there, so I made sure what I was writing was helping me achieve that goal.
As you can tell, I’m a goal oriented person. And that isn’t my only goal. I want to get to a certain point financially. I want to have a paperback shelved in Barnes and Noble. These are some of my goals. So, one thing I’m doing is querying editors and agents again. This means I need to look at some of the rules in involved in this type of publishing and it’s different depending on the line.
But this path might not be what another writer wants, so their decisions will be very different from mine.
And that’s okay.
Here’s thing. It’s important to know the rules and understand them. It’s important to learn about all these different things so we can make informed decisions about our careers. We have to do our research in both the industry and in the process. It’s important to try different writing programs. Different processes. And it will fuck with your writing.
For a short period of time until you really understand yourself and what you REALLY want.
Once you remember what put you in a room, alone, to write a novel about people who don’t exist, things will start to click again. You’ll learn that while spreadsheets works for one, it doesn’t for another. While Scrivener is a great program, it might not be the one for you. Point of View, Narrative structure, GMC, and other things necessary in making a book good, will become second nature. You will know if you want traditional publishing, indie publishing, or be a hybrid author (and remember, every couple of years, assess your goals, because they could change).
And most important, you’ll find your own voice and then can decide what rules to break. Bob Mayer always talks about the three rules of rule breaking:
- Know the Rule
- Have a reason for breaking the Rule
- Accept the consequences for breaking the Rule
If you don’t know the rule, how can you have a good reason for breaking it? I think the why is always important in anything. I was on the phone last night with a writer friend who asked me to read something. I asked her why she did something and her response was: I don’t know.
You have to know. No matter what rule you are breaking, know why and understand there could be a consequence to breaking that rule.
Treat writing rules as guidelines. Parameters that you might step outside when necessary.
You can also treat publishing rules the same way depending on your goals.
So, as a new writer, if you find yourself at the point where you feel stuck, whether it be in your manuscript, or your career, take a step back. Take a walk. Find that one thing that excited you. Find that goal. What is your pot at the end of the rainbow? Then, sit back down, push out all the advice, and write YOUR book.